Sunday, May 31, 2009

Download MALLANNA remaining video songs~HQ



Hi friends download the latest high quality video songs. The songs are good to hear and to watch. I hope you will download and enjoy the video songs.
*ing: Vikram, Shriya
Music:Devi Sri Prasad
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Xcuseme Mr Mallanna
Meow Meow
Alegra
Naa Pere Kanya Kumari

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Download Raju.Maharaju.2009Telugu.CDRIPS.MP3.HQ.VBR


Raju Maharaju (2009)

Cast :: Sharwanand, Mohanbabu, Ramyakrishna, Survin Chawla
Music :: Chakri

Director :: Bhanu Shankar
Producer :: Kumara Swamy Pathikonda


-= TrackList =-


01 - Poochina Poovalle - Baba Sehagal,Shivani
02 - Kalalone Kalagantunna - Shaan,Sudha
03 - Gundenu Patti - Simha
04 - Mamathala Kovela - Vijay Yesudas
05 - Nuvvante Pranamani - Chakri
06 - Maka Maka Makareena - Chakri,Kousalya
07 - Kalalone Kalagantunna - Chakri,Sudha
08 - Okate Okatokate - Baba Sehagal

DOWNLAOD RAJU MAHARAJU MP3 SONGS

Saturday, May 30, 2009

Ranking Pixar's Films



Oh Lordy. I haven’t done one of these ranking thingys in the longest of times. Next up is the ranking of all of Pixar’s films. Pixar has most certainly done some of the most creative, clever, engrossing, and overall rich movies within the past 20 years. As a matter of fact, in my personal ranking of 25 greatest films, I can think of at least 3 Pixar flicks to make the list. Their attention to detail, their willingness to go the extra mile for laughs and tears, and their absurd creativity allows for Pixar to remain permanently 5 steps ahead of the next animation studio, including Disney. Without further interruption, here are all the Pixar flicks, ranking from worst to best.



#9: Cars

Don’t get me wrong it’s a lovely film, but it’s definitely Pixar’s weakest. The characters here aren’t as memorable as the ones in the other movies, and the running time here remains one of the longest of the 9. Then the movie’s slow pace makes it feel longer. But don’t let it discourage you; I’m just stating why it’s sitting in the bottom of the barrel. Cars still gets a nice 8/10 from me.


#8: A Bug’s Life

Easily one of the more underrated films of the past decade, a Bug’s Life is one of Pixar’s worst, yet remains one of the better animated efforts. Hilarious characters, memorable moments, and a nice soundtrack makes A Bug’s Life watchable.



#7: Monster’s Inc.

Believe it or not, but the most creative tale Pixar has woven is this one. An entirely separate world was crafted in front of our eyes, as they take a simple concept and stretch it to unbelievable heights. Voice acting here is phenomenal, and then we have one of the sweetest endings out there to wrap up the production.



#6: Wall-E

Yes, I know. It’s pretty low down the list considering it made a heavy push towards Best Picture last year. Personally, I believe it was everyone getting tired of an amazing movie studio not getting the recognition it deserves, as they delivered their 9th consecutive success story. Wall-E was a grand film full of good music, nice visuals, and a charming love story; but its not Pixar’s best. Nonetheless, it was the best movie of 2008 (Yes, trouncing Dark Knight) and raised the bar 8 times as high for detailed animation. The future looks extremely bleak, and boy did the visuals prove this.



#5: The Incredibles

Watchman was a disappointing outlook about superheroes after their life fighting crime is over. The movie (not the comic book) failed to make the characters sympathetic, likable, and worthy of us watching them for two and a half hours. Everything Watchman wasn’t, this film was. The Incredbiles is a spectacular look at what happens when your glory days are over and you are forced to lower your standards of life and become a product of everyday society. This film asks if superheroes once they pass their peak can adjust, or ultimately go nuts. Blending the wonderful themes is hyper action, superb action pieces, good hintage of humor, and a superb supporting cast of characters (Its hard to top a movie with Edna Mode and Syndrome).



#4: Toy Story

The top 4 Pixar films all gained perfect scores from me, and with good reason. Starting the perfection top 4 is Toy Story, the original that started it all. There isn’t a single wasted scene, a single weak moment in this film, and it was the beginning of a revolution in animation. Toy Story has a great story, great characters, great soundtrack, great music, great ending, and you know what…I don’t have to explain myself anymore. It’s Toy Story, which is usually associated with excellence. Toy Story’s biggest achievement is setting the benchmark in animation and the way it can intertwine with the story and action.

P.S. One of the best moments in film is when Buzz is flying with Woody towards the ending.



#3: Ratatouille

Animated films rarely ever have a flavor of indie filmmaking---they almost all look and feel like big-budget stories with big-budget spending. Ratatouille breaks this trend by providing a simple yet engrossing story about a rat in France that wants to become a chef in a rat-hating world. The premise is simple, the tale is fairy-tale like, and nothing is ever blown out of proportion. Its simplicity is its main strength. Ratatouille’s animation rivals that of even Wall-E’s, as it makes animated food look good—and that alone is worthy of an Academy Award. But of course, Pixar provides us with a seven-course meal in storytelling by giving us plot twists, lovely chase scenes, plenty of subtle humor, and a beautiful theme of following your dreams no matter what. Dreamworks, Sony, Warner Brothers, Disney Animation, watch this and start taking notes.




#2: Toy Story 2

How do you top Toy Story? Easy, by doing more of the same, and expanding upon it exponentially. Everything that made Toy Story a sensation was improved upon in every single conceivable way: The animation, the music, the pacing, the humor, the clever references, the subtle gags, and an even more lovable cast of characters. Underused characters in the original got more screentime and the payoff is fantastic, as Mr. Potato Head, Hamm, Rex, and Slinky provided with some of the better laughs in the movie.

Then there’s “When She Loved Me,” easily the saddest moment in Pixar history to date. The song, the images, and slow dream-like pacing, it hits you hard. Then there’s Emperor Zurg, a second Buzz Lightyear, and the return of those adorable three-eyed aliens. This isn’t just Pixar’s 2nd best effort; it’s also one of the greatest films of all-time. Its Golden Globe for Best Picture was well-deserved, and should have gotten at least a Best Picture nod at the Oscars. For the record, the rather overrated American Beauty won it that year. Toy Story 2 is magical, and started proving Pixar’s lasting power in the industry.










#1: Finding Nemo


Pixar at its peak. Surely the films afterwards were grand, but not this great. Pixar didn’t just craft a spectacular film, but pretty much destroyed anything an animation studio created since 1991’s Beauty and the Beast. Even then, Finding Nemo gives Beauty and the Beast a run for its money. Every frame of Finding Nemo looks like a work of art; the deep and vast ocean, the view of the sunset, Marlin holding his baby egg in the beginning, the tour through the coral reef, the abandoned submarine, and more. The cast of characters and the voice acting here is the best ensemble by an animated film since the Winnie the Pooh short films of the 1960s. It’s almost as if Walt Disney personally went to them and provided his personal touch.



Grossing over 800 million at the box office is no fluke; this was a magical film of grand proportions. It’s a beautiful story full of humor, heartbreak, self-discovery, delightful characters, plot twists and turns, and ultimately an ending that tugs at the heartstrings. Almost every animated film ever since has been loosely influenced by Finding Nemo; the way stories are told and the way voice actors are picked and presented. I can’t praise this movie enough, Finding Nemo is by far the best Pixar film to date, and easily of the greatest American films ever created.



Honorable Mention: I gave Up a 9/10, so that would put it whether on 5th or 6th place, depending on its lasting power. It can whether grow timeless like Finding Nemo, or become a bit less entertaining upon further viewings like Cars.

Up: 9/10


Up (2009)
Pixar delivers yet again. They must be cheating or somet---Squirrel!, 30 May 2009

However they do it, whether it is by steroids, stem cell, Egyptian secrets, Babylonian water, or selling their soul to some monster, Pixar has been providing hit after hit, success story after success story since 1995. Surely they don't profit as much as their rival Dreamworks, but Pixar's films have lasting appeal that can and will span decades and generations to come. I severely doubt a century from now we'll remember Shrek or Madagascar the same way. Pixar's strategy has always been top provide tugs at the heartstrings for every time they deliver a laugh. This mix of comedy and drama has served them well in the past, with Finding Nemo and the Toy Story films being the absolute best examples. Up on the other hand, has overwhelmingly more drama and sad moments than laughs. If you can survive this little shift of film-making from Pixar, then you are in for a treat. Up is yet another grand film from the company that seems to do no wrong and it has great appeal for moviegoers of all-ages.

Up is about Carl Fredrickson, a retired bitter old man whom is still reeling from the loss of his wife. Since children, they had a dream about going to Paradise Falls, a secluded location in South America. In her honor, Carl heads out on a quest to South America using his house, and thousands of balloons. Accidentally accompanying him is Russell, a trusty boy scout. Along the way, they'll meet all sorts of characters and more adventure than they could have ever imagined. Written by Bob Peterson (Responsible for Finding Nemo, need I say more?), the film explores themes of loneliness, letting go, life and friendship. The script excels with plenty of adventure, funny moments, and sentimental moments that will make you sniffle a bit.

Forget 3-D. It's a stupid trend that will soon go away. The movie looks absolutely beautiful in 2-D and does not need any special effects for it to be appreciated. The people and animals themselves are composed of different shapes, representing their personality. Unlike in other non-Pixar efforts, realism (in terms of people) wasn't attempted, instead focus was on detail. The movie is amazingly detailed, but the production didn't demand as much complicated animation like in Wall-E and Ratatouille. Nonetheless, the film looks great, and yet again proves that Pixar is on top of the animation heap.

The main strength of Up lies in the action and its characters. The film has plenty of exciting and perilous moments that keep you guessing how it's going to end. And then, there are the hilarious characters. Carl himself is likable, but doesn't provide as many laughs as Russell, and the eventual animals that are involved in their quest (especially the hilarious dog Dug with the special collar). Up falls more into the category of The Incredibles rather than Wall-E or Ratatouille because of its immense amount of peril. There's nothing wrong with that, just telling you it's not the Pixar fare you've seen in recent years.

Like previously stated though, Up is a very tough pill to swallow in terms of its dramedy. The first ten minutes of Up are among the most heart-wrenching in recent memory, and towards the climax we have another moment in which you can't help but feel that lump in your throat. This sort of heavy sentiment has not been present in any non-Pixar animated film this decade, not even Shrek. It is hard to make a cranky selfish old man likable or sympathetic, but like in Finding Nemo with Marlin, knowing the past definitely clears all confusion and answers all the questions we would ask about their challenging personality.

Bottom Line: Pixar strikes gold yet again, and in the form of a very creative story about an old man searching for adventure. All the elements that worked in all the Pixar films of the past are present here, and associated with a superb musical score by Michael Giacchino. The only reason you wouldn't like this film is if you don't like Pixar at all---in which afterwards it will be followed by questions concerning your taste in film. Ranking this film, I'd place it somewhere between The Incredibles and the original Toy Story as one of the 5 best they've ever released. How do they do it? It has to be steroids, there's no other explanation.

When you're with Pixar, the quality of film has nowhere to go but Up.

Highly recommend.

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