Sculptural works from 1974 to the present by artists associate with Ronald Feldman Fine Arts. Highlights from this unique, diverse exhibition include one of Joseph Beuys's ready-mades, Noiseless Blackboard Eraser; Hannah Wilke's sculptural celebration of female sexuality, Primary Life (1983–92); Kelly Heaton's works incorporating repurposed Tickle Me Elmos from her 2003 gallery exhibition Live Pelt; and Roxy Paine's Scumaks, bloblike specimens manufactured by his cheeky art-making machine, Auto Sculpture Maker.
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